All tracks recorded in real-time using original Python code by Thomas Park.
https://archive.org/details/DeadCityDub
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September 20, 2019 • 12:28 am 0
All tracks recorded in real-time using original Python code by Thomas Park.
https://archive.org/details/DeadCityDub
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September 20, 2019 • 12:27 am 0
All tracks recorded in real-time using original generative Python code by Thomas Park.
https://archive.org/details/LoopSouq1
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September 18, 2019 • 1:37 am 0
All tracks recorded in real-time using original Python code by Thomas Park.
https://archive.org/details/SouqSalvage
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September 17, 2019 • 12:20 am 0
This is simply a recording of “All Gen Radio”, which is a generative environment created by Thomas Park, using original Python code.
https://archive.org/details/AllGenRadio982019
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September 14, 2019 • 8:40 pm 0
All tracks generated in real time using original Python code created by Thomas Park.
https://archive.org/details/PacificTable
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September 14, 2019 • 8:39 pm 0
All tracks generated in real time using original Python code created by Thomas Park.
https://archive.org/details/chillpill_201909
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September 14, 2019 • 10:26 am 0
This release is comprised of examples of output of the original Python application, “Sound Collage Science”. Sound Collage Science takes 1-2 keywords, searches the Internet Archive or thematic WAV files, downloads them and creates randomized samples from them. Another application, “The Reanimator”, mixes them randomly and in real-time.
https://archive.org/details/SoundCollageScience
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September 11, 2019 • 1:23 am 0
This release marks the invention of a new Python code. Thomas Park calls the code, “Sound Collage Science”. The code retrieves WAV files from the Internet Archive by search term, and extracts loop samples from the files. A second code mixes them together at random. Search terms for this batch were “space” and “drone”.
https://archive.org/details/CollageSpaceDrone
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September 8, 2019 • 11:19 am 0
All tracks created in real-time using original Python code by Thomas Park.
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September 7, 2019 • 11:31 pm 0
“More and more I am using my generative music to show the effect(s) of inorganic systems on organic systems. My songs are analogies for the ways that our culture has impacted our own natural systems– and I do so with optimism, looking for patterns that are organic and stable and pointing to them as ideal for the survival of our species and planet.”
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